Tessellation (144-3) #6, collograph, 2011 |
After a bit more digging I found an essay written by Kim on the processes she uses - it can be seen at www.nontoxicprint.com, also an excellent resource for a wide range of printmaking techniques.
Porous #42, collagraph with chine collé, 2007 |
Take a look at more of her work at www.eunicekim.net, and if you just happen to be travelling around Poland this Autumn you can see her work at the International Print Triennial in Kraków until the 28th October.